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This means to speak so that you can be heard throughout the theatre, this does not necessarily mean more volume or shouting. This is usually the first rehearsal when the actors sit and just read through the script with the director. A term applied to permanent nonprofit professional theatre companies that have established roots outside the major theatre centers.
Besides bringing first-rate theatre to their region, they often have programs to nurture local talent and to encourage new plays of special regional interest. Tracked by the Actors Unions. This usually occurs when another actor or extra cancels at the last minute. This incorporates all of the dialogue and stage directions to find the answers necessary to create a full and rich character and to craft a performance that serves the script. The exploration of the script may include the questions of theme, story, character, and overall elements of the play and characters.
Actors check in with the 2nd A. SENSORY — Connecting the character to the body and mind through the senses; to taste, hear, feel, see, think, perceive; to know through the physical inner self, as opposed to the instinctive. These physical sensations surround an emotional event, instead of the emotions themselves. SET — The immediate location where the scene is being filmed.
SIDES — Pages or scenes from a script, used in auditions or if on a film set those scenes being shot. The Talent are generally called into the audition room based on the time they arrived.
SLATE — A small chalkboard and clapper device, often electronic, used to mark and identify shots on film for editing; also the process of verbal identification by a performer in a taped audition e. Actors recite their lines quickly without blocking. This is often to help the actors with memorization. Want to catch a glimpse or the autograph of your favorite star after a show? This is where you want to be.
STRIKE — After the final performance, the set is taken apart, lighting instruments are taken down and props and costumes are put away. Sometimes actors will be asked to volunteer to help.
You are never obligated to help unless you are a member of the theatre company but it is a good idea to help if you can. This is not the case in larger union theatres where there are paid technical crews to take care of strike. SUBPLOT — A secondary, subordinate, or auxiliary plotline, often complementary but independent from the main plot the A story , and often involving supporting characters; not the same as multiple plotlines; aka the B story or C story.
SW — A notation on a call sheet that an actor is starting on that day and working on that day. SWF — A notation on a call sheet that an actor is starting, working, and finished on that day. TABLE-READ — A stage of film, television and theatre production when an organized reading around a table of the screenplay or script by the actors with speaking parts is conducted. Allows non-union actors to work their first union job and any others within a day period of the first booking without having to join the union.
They may not work any union job after the day period without joining the union. This is when the director will work the set, lights and sound cues into the rehearsal process. This usually takes several days and is long and boring for the actors. Tech is very important and actors must stay focused and be patient during this process. The focus of the rehearsal is solely on the technical aspects of the show.
The general effect creates a specific mood or tone to the work. More detailed outline of the plot, characters, high points of a film. TRIPLE THREAT — Refers to an actor or actress who can sing, dance and act skillfully and equally well on a consistent basis; usually applicable to performers in the musicals genre; it also could refer to a person who can act, direct, and screenwrite!
TYPECAST — In television, film, and theatre, typecasting is the process by which a particular actor becomes strongly identified with a specific character; one or more particular roles; or, characters having the same traits or coming from the same social or ethnic groups. There have been instances in which an actor has been so strongly identified with a role as to make it difficult for him or her to find work playing other characters. Often an understudy will never actually perform, but must be ready to go on with as little as 10 minutes notice.
It is very common for an understudy to cover more than one role. Upgrades also provide higher pay rates. The exact opposite of Downscale. Down Stage is the area in front of the performer. An off-camera voice coming either from an actor not in the frame, or from a secondary source such as a speakerphone or answering machine. WALK-ON — A minor role consisting of a single, brief appearance on the screen, usually not appearing in the credits and without dialogue; contrast with extras, bit parts, and non-speaking roles.
W screen : Implication of an actor working on that particular day; term used on Call Sheet. If you have any additional acting terms to suggest, please do not hesitate to get in touch and contribute to this list that is of big help to all actors and other performers in the business.
My daughter texted me from her theater class at her H. Does anyone have an idea what it means? Notify me of new posts by email.
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